This is an essay which takes a reflective look at the transition to digital photography from portrait painting.
We must first pose the question – has the instant photo replaced the portrait painting forever?
The keywords of the lesson are highlighted.
The modern trend of taking a selfie brings into sharp focus how much we all enjoy taking photos and capturing memories to share with others.
The digital camera is part of all our lives in the modern world and instant photos are taken at the press of a button.
They are then immediately transmitted to friends and family by social media, smartphone apps, stored in digital photo albums or in remote clouds.
Very few are printed and displayed around our home. We try to be selective of the best ones taken.
Long before photography was ever invented, people had to be content with portrait paintings comissioned from professional artists.
The subject of the portrait would be expected to sit for long periods of time while the artist made sketches or painted directly onto canvass. This all took time.
The invention of the first camera prototype by Frenchman Louis Daguerre in 1837 was the first step in the eventual transition away from portrait painting to photography.
Significantly, not only was the concept available to the public masses but it was affordable.
We would all come, in time, to know how to use the zoom lens, shutter, flash and tripod with relative ease.
Our grattitude is extended in American George Eastman who founded his Kodak company and heralded a new era in photography.
We must also be thankful to Englishman Edward Muybridge who conducted a galloping horse experiment with pictures that captured the simple stride of a horse in twelve sequential moments.
The world was about to embrace moving pictures as a concept or movies as we call them today and my dear Mum (my Grandmother too in fact) would talk of a night out at the Picture House.
Remarkably perhaps, this modern era of the instant photo has not killed the portrait painting stone-dead but rather given us the opportunity to reproduce imagery with new skills developed in photo-editing software with a sense of surrealism and novelty.
Not only that but we have come to respect and value the capture of an image by an artist of a subject either in cartoon lampooning or in caricature.
Hands up who has not contemplated or had a sketch done by a street artist or looked for the personal touch of a ‘togetherness’ picture for your wedding day to be hung in the hallway for guests to see?
The old saying that a picture paints a thousand words is never more true than today.
The ultimate irony is that we are using the technology of today to create the memories of yesteryear and also of the future.
Photography moves with the times.
As we move with the times, there is a place for the commissioned portrait painting to exist alongside the instant digital photo in the capture of a memory.